Descarga Spanish Cinema 1973-2010. Auterism, Politics, Landscape And Memory de María M. Delgado Libro PDF

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Spanish Cinema 1973-2010. Auterism, Politics, Landscape And Memory de María M. Delgado

Descripción - Críticas This exciting collection of essays from leading film scholars pays attention to the specificities of the Spanish cultural, social, political and aesthetic panorama (its 'landscapes'), while also acknowledging the importance of shifting transnational contexts for studies of Spanish cinema. Theories of the auteur (developed and extended here) act as a guiding framework for the study of key films, many of which are being afforded scholarly treatments for the first time. This volume offers important observations on current trends, theories and revisionist approaches to Spanish cinema. Sarah Wright, Royal Holloway, University of London -- . Reseña del editor This collection of essays offers a new lens through which to examine Spain's cinema production following the decades of isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in different languages: English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas that negotiates the global co-production networks that fund the production of contemporary films in Spain, the volume offers treatments of key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Alejandro Amenábar, Iciar Bollaín) have harnessed cinematic language towards a commentary on the nation-state, wider issues of landscape, and the politics of historical and cultural memory. The result is a bold new study of the ways in which film has created new prisms (indeed one could argue stereotypes) that have determined how Spain is positioned in the global marketplace. Biografía del autor Maria M. Delgado is Professor of Theatre and Screen Arts at Queen Mary, University of London|Robin Fiddian is Professor of Spanish, Fellow of Wadham College, University of Oxford -- .

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Detalles del Libro

  • Name: Spanish Cinema 1973-2010. Auterism, Politics, Landscape And Memory
  • Autor: María M. Delgado
  • Categoria: Libros,Arte, cine y fotografía,Películas
  • Tamaño del archivo: 11 MB
  • Tipos de archivo: PDF Document
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Colección completa de los libros de essential spain fnac spanish cinema 19732010 auteurism, politics, landscape and memory maria m delgado autor this collection offers a new lens through which to examine spains cinema production following the isolation imposed by the franco regime Novedad en la bibiloteca new in the library blog del con motivo del london spanish film festival 3rd spring weekend, ayer se presentó en nuestro centro el libro spanish cinema 19732010 auterism, politics, landscape and memory, y está ya disponible en biblioteca Spanish cinema 19732010 auterism, politics, landscape spanish cinema 19732010 auterism, politics, landscape and memory delgado, maría m libros en idiomas extranjeros

Spanish cinema author rob stone published on november spanish cinema author rob stone published on november, 2001 libros Spanish cinema 19732010 auteurism, politics, landscape spanish cinema 19732010 auteurism, politics, landscape and memory responsibility edited by maria m delgado and robin fiddian publication manchester manchester university press, 2013 distribution new york distributed in the united states exclusively by palgrave macmillan Spanish cinema 19732010 auteurism, politics, scenery and while other scholars note the emphasis on christian values in these films, mcgregor argues more pointedly that the morals they depict illustrate and reinforce catholicism in particular


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